Wednesday, July 16, 2014

"Life's parade at your fingertips."

Douglas Sirk's All That Heaven Allows (1955) is a film admired by many of the greats of contemporary cinema. For example Martin Scorsese features it in his fascinating Journey Through American Movies -- a series I recommend to anyone looking to increase your knowledge of American movies. Here and in several other films (see especially Magnificent Obsession) German émigré Sirk created a unique emotional vocabulary through a rigorous stylistic approach to color and framing. He knew how to get the most out of actors too. Jane Wyman's performance in All That Heaven Allows is one for the ages.

In a time where everything (it seems) is permissible the thematic elements of this picture may seem clichéd or just plain incomprehensible to modern viewers. That would be a shame. This movie must have exploded like a bomb in the consciousness of a generation of middle-class housewives, and if you allow it to transcend it's particular time and place it remains a devastatingly effective viewing experience. Except for the "Hollywood ending" it's perfect. A more appropriate final scene would have been the one below, which concludes with a shot of such emotional power it made my jaw drop as I watched it last night.

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